Hearken, O Mādhava, what more can I say?
Nought can I find to compare with love:

Though the sun of the East should rise in the West,
Yet would not love be far from the worthy,

Or if I should write the stars of heaven on earth,
Or if I could pour from my hands the water of all the sea.

-- Vidyapati

I feel my body vanishing into the dust whereon my beloved walks.

I feel one with the water of the lake where he bathes.

Oh friend, my love crosses death's boundary when I meet him.

My heart melts in the light and merges in the mirror whereby he views his
face.

I move with the air to kiss him when he waves his fan, and wherever he
wanders I enclose him like the sky.

Govindadas says, “You are the gold-setting, fair maiden, he is the
emerald”

Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows – then let your heart say in silence, “God rests in reason.”
And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky, – then let your heart say in awe, “God moves in passion.”
And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion
.

-- Kahlil Gibran, The Prophet

Open your eyes ...

Open your eyes ...

Mirror-pond of stars …

Suddenly a summer

shower

Dimples the water.

-- Sesshi

He who has been instructed thus far in the things of love, and who has learned to see the beautiful in due order and succession, when he comes toward the end will suddenly perceive a nature of wondrous beauty(and this, Socrates, is the final cause of all our former toils)—a nature which in the first place is everlasting, not growing and decaying, or waxing and waning; secondly, not fair in one point of view and foul in another, or at one time or in one relation or at one place fair, at another time or in another relation or at another place foul, as if fair to some and foul to others, or in the likeness of a face or hands or any other part of the bodily frame, or in any form of speech or knowledge, or existing in any other being, as for example, in an animal, or in heaven, or in earth, or in any other place; but beauty absolute, separate, simple, and everlasting, which without diminution and without increase, or any change, is imparted to the ever-growing and perishing beauties of all other things. He who from these ascending under the influence of true love, begins to perceive that beauty, is not far from the end. And the true order of going, or being led by another, to the things of love, is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these as steps only, and from one going on to two, and from two to all fair forms, and from fair forms to fair practices, and from fair practices to fair notions, until from fair notions he arrives at the notion of absolute beauty, and at last knows what the essence of beauty is.

“This, my dear Socrates”, said the stranger of Mantineia, “is that life above all others which man should live, in the contemplation of beauty absolute.... But what if man had eyes to see the true beauty—the divine beauty, I mean, pure and clear and unalloyed, not clogged with the pollutions of mortality and all the colours and vanities of human life—thither looking, and holding converse with the true beauty simple and divine? Remember how in that communion only, beholding beauty with the eye of the mind, he will be enabled to bring forth, not images of beauty, but realities (for he has hold not of an image but of a reality), and bringing forth and nourishing true virtue to become the friend of God and be immortal, if mortal man may.Would that be an ignoble life?”

-- Plato, Symposium

Sunday, March 24, 2024

A Few Latest Pics From Odishan Temples

After nearly 2 grueling months of house renovation (repair & repaint, mostly!), I took the opportunity to visit a few temples in the vicinity of Bhubaneshwar, before the Indian Summer strikes in all its ferocious glory.

I came across a very prettily decorated & freshly painted Goddess temple where, as usual, I found these beautiful lion figures.



These are lions, or sihas.

These are not vyālas or yālis (or yaazhis).

From what I’ve observed, the difference between the siha & the yāli is that the yāli has horns – evidently those of a ram or a goat.

The olden temples of Odisha are replete with yālis – and occasionally have depictions of sihas.

The yālis have been called “leogryphs” more or less appropriately, because they combine features of at least two animals.

So this, from the Paraśurāmeśvara Temple (photo taken by me in January 2020) is a siha – at least in my opinion.



























And this, from the Rājā-Rānī Temple (photo taken by me in June 2014) is a vyāla or yāli.



























They have been used for similar iconographic purposes, but they’re not the same, strictly speaking.

The leonine heads you may notice to the right of the picture, with garlands of pearls or chains (one chain terminating in a bell-like object) streaming out of the mouth/jaws, are all  yāli heads.

(26.3.2024: Please read note at the end of the post.)

Apart from the two usual horns, there is a third protuberance in the center of the head, and I shall come to that sometime later.

The Hindu Goddess Durgā is invariably depicted on/with a siha – not a yāli – but there may be some depictions with yālis/yaazhis.

Remember, the siha doesn’t have horns – the yāli does.

I also came across the 12th century Buddhanath Temple, dedicated to Shiva.

Though many statues have been destroyed, and the remaining art is mostly damaged, yet, there was quite an astonishing amount to see.

Photographing it under the full glare of the Sun, and in the pounding heat, was no easy feat.

But I managed to capture some images.

Here’s one... the usual erotic couple!


Here’s a vyāla trampling upon an elephant (which is pretty badly damaged) – and the random fragment of a woman’s body is lying in front of the figures:


Here’s a closer look at the head of the
vyāla:


Please do thank me for half a moment, because getting these snaps was not a very easy task! 😁

I doubt if these images would be easily available on the Internet.

There seems to have been some restoration work, but I doubt how good has this restoration been.

Nevertheless, there’s some interesting iconography to see.

Truth be said, the Buddhanath Temple is a comparatively large temple, and is certainly worth a visit.



Note added on 26th March, 2024:

Those bell-like objects are ... well ... not bell-like, btw 😊

What are they, precisely, I don’t know. 

Here’s a clearer image from the Mukteśvara Temple; photo was taken by me almost 11 years ago.



A closer look at the motif:



Evidently, there are variations on this theme, because sometimes the object dangling at the end of the chain looks different.

Sometimes they are ball-like objects.

But that is another issue, and not relevant, for the present.

I just thought I should clarify this minor point.